‘Shang-Chi’ Becomes Highest Grossing Movie At Domestic B.O. During Pandemic, As ‘Dear Evan Hansen’ Weeps


Saturday AM Update: As predicted, Disney-Marvel’s Shang-Chi and the Legend of the Ten Rings refused to slow down, firmly holding No. 1 with a $3.6M Friday, which alone makes the Destin Daniel Cretton-directed feature the highest grossing title during the pandemic ahead of Black Widow with a $186.7M domestic running total. By the end of tomorrow, Shang-Chi should gross $12.8M through thee-days, a great -41% hold, and a running total of $196M. What’s Shang-Chi‘s ultimate domestic endgame? Just under $250M seems quite conceivable.


According to box office analytics corp EntTelligence, Shang-Chi saw 19% of its patrons attending after 9PM on Friday and near 16% showing up before 3PM.

Meanwhile, Universal’s Dear Evan Hansen, arguably the most prolific major studio release on the fall schedule since Shang-Chi, is not doing well after a $3.3M Friday, including $800K Thursday previews, on its way to $7.3M in the No. 2 spot at 3,364 theaters; a lowly result which isn’t that far from Universal’s previous big Broadway feature take Cats which died promptly off a $6.6M opening over the Christmas 2019 holiday. Dear Evan Hansen, I hear, is on a 17-day theatrical window, especially with these numbers.

Related Story ‘Shang-Chi’ Eclipsing ‘Black Widow’ Today As Highest-Grossing Film During Pandemic At Domestic B.O.

If there’s anything positive to say about Dear Evan Hansen, it’s that the teen dramatic musical cost significantly less than Cats, a net $27M after Georgia tax credits versus Cats’ $90M net. Dear Evan Hansen‘s demise at the domestic B.O. comes as no surprise after critics promptly ravaged it following its TIFF premiere with a current Rotten Tomatoes score of 33%.

The fans of the Tony-winning Benj Pasek & Justin Paul musical did show up on Friday and Thursday, though not en masse, hence the A- CinemaScore. Initially, I heard off Thursday previews that the Screen Engine/Comscore PostTrak was 82% and a 60% definite recommend, it’s now fallen to a 78% positive with a 57% definite recommend. Despite my enjoyment and consistent emotive cry while watching this 2 hour and 20 minute feature, this movie about a teenage boy with a social anxiety disorder who means to do good, but falls greatly short of that following the school bully’s suicide, doesn’t exactly spell escapism at the movie theater at a time when people want to have the time of their lives, away from the gloom of the lingering pandemic. It’s the stacked deck of fanboy IP in October of Venom: Let There Be Carnage, No Time to Die, and Dune that has many excited.

Ben Platt in Universal’s “Dear Evan Hansen” Universal

Social Media analytics corp Relish Mix, gauged online sentiment toward Dear Evan Hansen as a 5.5 out of 10 on its meters, reporting, “Convo quality runs the gamut — from joyous praise of the power of the theme coming from the Broadway play as a post pandemic story of hope and inspiration with the musical soundtrack that runs deep into our culture, celebrated by audiences. On the cynical side, threads over the last four months touch on questions about Ben Platt being cast as a high school student given the fact that he’s 27. In defense of Ben Platt on social, rolling into the feature film, fans of the play are piling on in vigorous support of his continuation his role in the film and question the intent and ‘to suspend their disbelief to get more out of life’.”

The few who bought tickets for Dear Evan Hansen were 62% females, 52% over 25 with 54% falling between 18-34, which is what Universal was expecting. Diversity demos were 58% Caucasian, 21% Latino and Hispanic, 8% Black, and 13% Asian/other. Also, not shocking to hear is that Dear Evan Hansen played best on the East coast, however, Salt Lake City, Utah popped with five of the top ten theaters, and eight of the top 15; a standout market alongside the B.O. cities of NYC, LA, Chicago, Philadelphia, Dallas and San Francisco.

iSpot estimates that before Dear Evan Hansen‘s opening, Universal spent $3M in TV spots which drew 236.4M impressions with ads booked on NBC, FX, CBS, Freeform and USA and during shows such as America’s Got Talent, Big Brother, Law & Order SVU, Bachelor in Paradise and re-runs of Friends.

Due to the momentum of the Broadway’s plays publicity over the last five years, RelishMix counts the social media universe for Dear Evan Hansen at 459.5M (which is above Pitch Perfect 3 at 317.7M and A Star Is Born at 301.1M) across Facebook, Twitter, Instagram, YouTube. However, minus out the Broadway musical YouTube video views of 356.2M and the social media awareness for the film drops to 103.3M “which is at the lower end of the genre in the range of Rocketman‘s 114.5M and La La Land‘s 48.3M” says RelishMix.

The Dear Evan Hansen cast has 10.7M activated across social, primarily on Instagram with Ben Platt and Julianne Moore each at 2.9M, Amandla Stenberg with 2.4M and Amy Adams at 784K.

The Indian-Telugu-language romantic drama Love Story from Sekhar Kammula debuted in 300 theaters and continued to show how Bollywood fare continues to draw an audience during the pandemic with a theater average of $3,2K and an estimated 3-day of $971K at 300 theaters. The movie had fairly good numbers in NYC, Dallas, San Francisco, DC and Atlanta; there’s a shot it could get to $1M in the No. 10 spot. Friday cashed in $296K. The movie follows Revanth and Mouni who dream big when it comes to their lives. But with their social standing and gender proving to be a hindrance, they try to find a way to let their love prevail.

Searchlight Pictures

Filing No. 11 is the second weekend of Searchlight’s The Eyes of Tammy Faye which surged its theater count by 902 to 1,352. This is resulting in a hold of -3% with an estimated $633K in the No. 11 spot. The pic grossed $202K yesterday, down 18% from a week ago. PostTrak exits, as the audience measure report records wide releases, showed a low audience response than last weekend’s CinemaScore of B+ with 67% positive and a 38% definite recommend. Of those who turned 65% were females, and 81% over 25 and 51% between 25-44 years old. Diversity breakdown was 76% Caucasian, 9% Latino and Hispanic, 10% Black, & 5% Asian/other. In its limited launch last weekend, iSpot estimates that Searchlight spent around $1M for TV spots that aired on MSNBC, CNN, Food Network, ABC and NBC pulling in 168M impressions and during shows such as Good Morning America, Today, Diners, Drive-Ins & Dives, The Rachel Maddow Show and Don Lemon Tonight.

Bleecker Street’s limited release of German Oscar entry I’m Your Man at 15 locations looks to make $28,5K for the weekend or $1,9K theater average after a $9,5K Friday. Unfortunately, these grosses aren’t a sign that arthouses have rebounded for this critically acclaimed movie at 95% certified fresh.

Below are the weekend’s industry estimates:

1.) Shang-Chi (Dis) 3,952 theaters (-118)/ Fri $3.6M (-38%)/3-day $12.8M (-41%), Total: $196M/Wk 4

2.) Dear Evan Hansen (Uni) 3,364 theaters/Fri $3.3M/3-day $7.3M/Wk 1

3.) Free Guy (20th) 3,175 theaters (-113)/Fri $1.1M (-17%)/3-day $4.14M (-20%)/Total $114.1M/Wk 7

4.) Candyman (Uni) 2,556 (-264) theaters/Fri $720K (-30%)/3-day $2.46M (-30%)/Total $56.8M/Wk 5

5.) Cry Macho (WB) 4,022 theaters (+55)/Fri $653K (-59%)3-day $2.1M (-53%)/Total: $8.4M/Wk 2

6.) Jungle Cruise (Dis) 2,065 theaters (-200)/Fri $437K (-10%)/3-day $1.77M (-15%)/Total $114.9M/Wk 9

7.) Malignant (NL) 2,534 theaters (-967)/Fri $450K (-46%)/3-day $1.49M (-46%)/Total: $12.3M/Wk 3

8.) Copshop (Open Road) 3,005 theaters/Fri $400K (-58%)/3-day $1.36M (-41%)/Total $4.58M/Wk 2

  1. Paw Patrol (Par) 1,995 (-274) theaters/Fri $265K (-29%)/3-day $1.2M (-30%)/Total $38.9M/Wk 6

10.) Love Story (Sony) 300 theaters, Fri $296K/3-day $971K/ Wk 1

11.) The Eyes of Tammy Faye (Sea) 1,352 theaters (+902)/Fri $202K (-18%)3-day $633K (-3%)/Total: $1.5M/Wk 2

Friday AM Update: Universal’s feature adaptation of Tony-winning Broadway musical Dear Evan Hansen grossed $800K from previews last night from 2,700 theaters which started showtimes at 7PM.

The movie directed by Stephen Chbosky, and starring the Broadway musical’s original actor Ben Platt in the title role, is expected to make around $10M at 3,364 theaters, and is expected to be beat by Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings in its fourth weekend with $11M-$12M. As we told you this morning, Shang-Chi is becoming the highest grossing movie during the pandemic at the domestic B.O. today, clicking past Disney/Marvel’s own Black Widow which counts $183.4M through yesterday. Females between the ages of 17-34 are the prime demo for Dear Evan Hansen.

Dear Evan Hansen‘s Thursday night is higher than that of Universal’s Cats which made $550K at 2,500 theaters from 7PM shows and was a disaster for the studio opening to $6.6M, and finaling at $27.1M domestic, $73.8M WW.

Dear Evan Hansen follows a high school senior with a Social Anxiety disorder, whose encouragement letter to himself becomes mistaken as the final note from the high school bully, Connor Murphy, who’s just committed suicide. Evan gets caught up in a whirlwind, perceived as Connor’s best friend and the only one who understood him, notions propelled by Connor’s parents. The pic, which touts a great cast with Julianne Moore, Amy Adams, and Kaitlyn Dever, made its world premiere at TIFF, but failed to see the critical praise of its Broadway edition with movie critics decimating the musical down to 37% on Rotten Tomatoes.

The pic is written for the screen by the show’s Tony winner Steven Levenson based on his book for the musical stage play, with music and lyrics by the show’s Oscar, Grammy and Tony-winning songwriting team of Benj Pasek & Justin Paul (La La Land, The Greatest Showman).

Shang-Chi Is Set to Topple Black Widow as the Biggest Movie of 2021


Marvel’s newest movie Shang-Chi and the Legend of the Ten Rings is poised to become the year’s highest-grossing release at the domestic box office. As it stands now, Shang-Chi is in the No. 2 spot just behind fellow Marvel Studios movie Black Widow in No. 1. Shang-Chi currently stands at just $200K behind Black Widow through Thursday’s box office numbers, and it’s certainly going to pass that number by the end of the day.

It’s worth mentioning that Shang-Chi and the Legend of the Ten Rings held its release exclusively in theaters, while Black Widow had a day-and-date release coupled with Disney+. This had led to a lawsuit against Disney filed by Scarlett Johansson, and the release strategy for new blockbuster titles has since changed. Disney has now been testing theatrical releases for movies before putting them up on Disney+ at no extra charge about 45 days later, and Shang-Chi has proven how successful this can be.

Heading into this weekend, it is expected that Shang-Chi and the Legend of the Ten Rings will maintain the No. 1 spot at the box office for four weeks in a row. The estimations are that it will pull in between $11-12 million, which gives it a lead over the $10 million projections for Universal’s Dear Evan Hansen. If these numbers turn out to be accurate, Shang-Chi will be sitting at around $195 million for its total domestic haul.

Behind the two Marvel Studios movies, F9 is the third highest grossing movie at the domestic box office with $172 million, though it has the highest worldwide gross with $716 million. Stateside, what follows Black Widow, Shang-Chi and the Legend of the Ten Rings, and F9 are A Quiet Place Part II at $160 million and Jungle Cruise at $113 million. In order, the titles making up the rest of the top 10 are Free Guy at $109 million, Godzilla vs. Kong at $99 million, Cruella at $86 million, Space Jam: A New Legacy at $67 million, and The Conjuring: The Devil Made Me Do It at $65 million.

Destin Daniel Cretton directed Shang-Chi and the Legend of the Ten Rings using a screenplay he co-wrote with Dave Callaham and Andrew Lanham. Simu Liu stars in the lead role alongside Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Ben Kingsley, and Tony Leung. Marvel Studios has named Shang-Chi as “the next Avenger,” and for his part, Simu Liu can’t wait to see the superhero rope the other Avengers into a karaoke competition.

“Ooo, I think that he would think that the Avengers were the coolest thing ever,” Liu said of Shang-Chi joining the team, via Tumblr. “You’re talking about a kid that spent the better part of his adult life parking cars at a valet. I think that being a part of this world saving organization of crime fighting superheroes might be a little more interesting so I definitely think he would be down if people asked. I think the other guys and gals would love him. I think he would get along and be very charming and he would rope them all up in a karaoke room and they would all be singing ‘Old Town Road’ together. I’d want to see that sequence.”

Fans can watch Shang-Chi and the Legend of the Ten Rings in movie theaters now. The movie will later arrive on Disney+ for Disney+ Day on Nov. 12 along with Jungle Cruise. This news comes to us from Deadline.

Home Audiences Will Pay Top Dollar for VOD: ‘Candyman,’ ‘F9,’ and ‘Black Widow’ Prove It


It could be “Jungle Cruise” at $29.99 or a director’s cut of “F9”: Movies that cost $19.99 or more dominate all of the VOD charts this week.

“Candyman” dominated every platform in its first weekend on premium VOD. Available for $19.99, the Universal horror movie aligned with standard studio strategy to debut on home platforms after its third week of theatrical play. It still ranked #4 in theaters, falling only 26 percent.

Nia DaCosta’s update of the 1993 horror classic displaced the studio’s own “F9” ($19.99), after an expanded edition returned the widely seen sequel to #1 across all charts last week. The worldwide top grossing film of 2021 ($716 million, with less than 25 percent domestic) is now #2 at both Vudu and Google Play, and #3 at iTunes.

The strength of “Candyman” took #1 on Vudu’s full week chart, even though its release covered only three days of Vudu’s listing period. Of the 17 different films on the three VOD charts, 10 are PVOD titles ($19.99 or higher) and fill 23 of the 30 total slots.

Four PVOD films made all three charts: “Candyman,” “F9,” “Black Widow” (now reduced to $19.99), and “The Suicide Squad,” which is new this week after theatrical and HBO Max play. For the first time, all films on the revenue-ranked Vudu chart are PVOD.

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“The Hitman’s Wife’s Bodyguard” (Lionsgate/$5.99) is the leading non-PVOD title, ranking in the top five for iTunes and Google Play. There is a dearth of VOD originals, with fewer same-day action-related genre releases sparking home interest. It’s unclear whether this is a short-term blip or a sign of the strength in theatrical films.

Nicolas Cage, of course, is the exception to the rule. Veteran cult director Sion Sono’s “Prisoners of the Ghostland” (RLJE/$6.99) fell just short of Google Play’s top 10 with a day-and-date opening. It grossed about $70,000 in 134 theaters.

Unknown are at-home results for another day-and-date title, “Cry Macho,” which debuted in theaters and on HBO Max. The Warner Bros. box office report, which mentioned HBO Max response for some previous releases, was silent. Clint Eastwood’s latest film was a disappointing #3 this weekend in theaters with under $4.5 million.

Netflix leads with “Safe House,” Universal’s 2012 CIA thriller starring Denzel Washington and Ryan Reynolds, and three new original entries continue to reflect the platform’s eclectic offerings. Best at #3 is “The Father Who Moves Mountains,” a Romanian variation of the Liam Neeson genre. At #4 is “Nightbooks,” a Sam Raimi production about a boy who’s obsessed with horror stories and is held captive by a young witch. Cédric Jimenez’s “The Stronghold” is #6, a French crime story that premiered out of competition at Cannes 2021. A theatrical release in France, it grossed about $12 million in its first month.

iTunes and Google Play rank films daily by number of transactions, irrespective of revenue accrued. These are the listings for September 20. Distributors listed are current rights owners.


  1. Candyman (Universal) – $19.99

  2. Black Widow (Disney) – $19.99

  3. F9 (Universal) – $19.99 (both theatrical release and expanded versions)

  4. The Suicide Squad (Warner Bros.) – $19.99

  5. The Hitman’s Wife’s Bodyguard (Lionsgate) – $5.99

  6. Prisoners of the Ghostland (RLJE) – $6.99

  7. Lansky (Vertical) – $0.99

  8. Venom (Sony) – $3.99

  9. Jungle Cruise (Disney) – $29.99

  10. Tombstone (Disney) – $3.99

Google Play

  1. Candyman (Universal) – $19.99

  2. F9 (Universal) – $ 19.99 (expanded version)

  3. The Hitman’s Wife’s Bodyguard (Lionsgate) – $5.99

  4. A Quiet Place Part II (Paramount) – $4.99

  5. The Suicide Squad (Warner Bros.) – $19.99

  6. Black Widow (Disney) – $19.99

  7. F9 (Universal) – $19.99 (theatrical release version)

  8. Spider-Man: Far from Home (Sony) – $3.99

  9. Don’t Breathe 2 (Sony) – $19.99

  10. Venom (Sony) – $3.99


Vudu ranks by revenue earned, not transactions, which elevates Premium VOD titles. This list covers September 13-19

  1. Candyman (Universal) – $19.99

  2. F9 (Universal) – $ 19.99 (both theatrical release and expanded versions)

  3. The Suicide Squad (Warner Bros.) – $19.99

  4. Black Widow (Disney) – $19.99

  5. The Forever Purge (Universal) – $19.99

  6. Jungle Cruise (Disney) – $29.99

  7. Don’t Breathe 2 (Sony) – $19.99

  8. The Boss Baby: Family Business (Universal) – $19.99

  9. Snake Eyes (Paramount) – $19.99

  10. The Conjuring – The Devil Made Me Do It (Warner Bros.) – $19.99

Netflix Movies

Most viewed, current ranking as of Monday, September 20; originals include both Netflix-produced and Netflix-acquired titles they initially presented in the U.S.

  1. Safe House (2012 theatrical release)

  2. Kate (2021 Netflix original)

  3. The Father Who Moved Mountains (2021 Netflix Romanian original)

  4. Nightbooks (2021 Netflix original)

  5. An Unfinished Life (2006 theatrical release)

  6. The Stronghold (2021 French Netflix original)

  7. Vivo (2021 animated Netflix original)

  8. Birth of the Dragon (2016 theatrical release)

  9. Firedrake the Silver Dragon (2021 German Netflix animated original)

  10. School of Rock (2003 theatrical release)

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